The right hand window, which displays the mask, was blank white but will now display the black and white mask. This is done automatically, since this mask is technically an alpha channel which is a black and white channel only. The long exposure will be pasted in as a black and white mask. Paste the long exposure into the mask.The following illustrations show what the two images and layers palette will look like in Photoshop during the various steps. I would advise working on low resolution scans to start with so that things will go quickly and you can familiarize yourself with the steps in the process.īoth copies should have their basic levels set, see the page on Photoshop Enhancement Techniques. Make copies of these two files with the DUPLICATE command in Photoshop, put the originals away, and work on the copies. However, it is much easier to align two negatives in Jonathan Sack's program Picture Window.Īfter the two original negatives are aligned, save each under a different file name such as M42_L.TIF and M42_S.TIF for long exposure and short exposure respectively. You can do this in a stacking program like Deep SkyStacker, or you can try with Photoshop's Align Layers command, but it often doesn't do that great of a job on astronomical images. Rotate and shift the scans of the images so that all of the stars are perfectly aligned. Apply final color and density adjustments to the composite.Tweak the color of the core to match the rest of the image.Adjust the density and contrast of the mask with curves.Open a new view of the image to see effects of manipulating the mask.Paste the short exposure on top of the long exposure in a layer.Copy the short exposure to the clipboard.The secret to getting the blend perfect is that we will make the mask from the overexposed portion of the long exposure itself, and we will be able watch the changes in the composite as we adjust the mask. Any gray transitions from black to white mask the image in a gradation depending on the density of the mask. Think of the white in the mask as a hole that lets the image on top through. Any light or white areas are unmasked and all of the image on top gets through. Where the mask is totally black, no portion of the image on top gets through. The dark portion of the mask protects the image under it. The mask will block out everything on the base image except for the overexposed area in the long exposure and allow the correctly exposed core of the Trapezium from the short exposure to blend in perfectly. In this example, the long exposure will become the base image and the short exposure will become the "layer" on top of it. Like just about everything else in Photoshop, there is more than one way to composite two images together to combine shadow and highlight detail. Short exposures can record detail in the brightest areas without overexposure, but obviously will record nothing in the faint areas that require an exposure to the sky fog limit. In a long exposure that is made to capture the faintest details, the bright core will be so overexposed it will have no detail as in the 50 minute exposure. At right is a composite of the two exposures. At center is a single 50 minute exposure with my Astro-Physics 130 EDT at f/8 with gas-hypersensitized Kodak PJM, which, at my site, is the sky-fog limit. Yet it also contains beautiful nebulosity in the faint outlying areas of the loop to the south of the Trapezium, seen here at the top of the long exposure.Īt left above is a single 5 minute exposure which records detail in the bright core of the Trapezium region. Its core is extremely bright, which is why we can see so much detail, and even some color visually. This problem is commonly encountered on objects like M42, the Orion Nebula.
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If you want to do MKV conversion or any other video conversion tasks on a Windows based computer, please turn to Video Converter for Windows.įor Windows | for MacOS Here are the general steps you'll need to take to get converting from 1080p MKVs to iMovie video format on MacOS. What's more, it comes with built-in device presets for iPhone, iPad, Apple TV, different kinds of Android smartphones and so on, giving users the best possible output result. Apart from converting MKV to iMovie format for editing purpose, it can also handle virtually any video and audio formats with high efficiency. Is there a way or utility that can convert MKV to be editable in iMovie application? Absolutely YES! Video Converter for Mac, an utility that stands out from thousands of converters on the market, helps you do it well. If that's the case, you'll need to convert MKV files to something that iMovie can work with before opening them in iMovie. You can import movies well in DV, HDV, AVCHD, Apple Intermediate Codec, Apple Animation Codec or H.264, but notable MKV ( What's it?) is excluded in the supported list. See also: Rip a DVD to edit in iMovie.įeature-rich and marvelous as it though, iMovie is pretty picky about the video format. As a consumer-level video editing program preinstalled in Mac out of the box, iMovie allows film freaks to do all of the basic editing for video clips and does offer advanced options to create Hollywood-style trailers and stunning 4K-resolution movies. If you're a video enthusiast and fond of edit your videos to make them distinctive on a Mac, you then may be likely to use iMovie application to accomplish the task. They can be identified by natural features such as rivers or by man made marcations such as stakes. Metes and bounds are the boundaries or limits for a parcel of land. Oftentimes, the land in question would be new territory, and the legal descriptions would provide useful information such as predicted land uses, natural features and the people surrounding a property. These descriptions were written to be best interpreted by a community, and so they offer customized, rich characterizations. It also led to new land laws and the eventual establishment of recording institutions in our country.Īnother advantage of metes and bounds survey descriptions is the information about the land. Metes and bounds gave people a way to designate, own, buy and sell property. Whenever America was still being settled by immigrants to the continent, there was no standard for measuring and recording land plots. The metes and bounds system allowed for more customized property practices that utilized localized knowledge and facilitated community development. The challenge now is figuring out how to translate the information from then to the parcel mapping needs of now. There are more modern, standardized systems for land boundaries today, but the metes and bounds plotter system continues to hang on in the form of old land surveys, deeds and other documents. What was a dependable reference point in one era may not be helpful to someone today. The problem, of course, is that trees can die, streams can dry up, roads can be moved and man made structures can fall down. They used points such as trees, boulders, streams, roads, buildings and anything else that may have been near them as a reference for property boundaries. This system, which utilizes the completely subjective interpretation of natural features and markers by a land surveyor, is by no means new, but it’s also not going away anytime soon, either.īack in the day, when surveyors lacked sophisticated measuring systems and mapping tools, metes and bounds was a reliable option. In the United States, the fingerprints for this method of surveying property can be most easily found in the states that were once the 13 original colonies. The metes and bounds system is nearly as old as land ownership itself, with evidence of it existing from as far back as Ptolemaic Egypt and the Roman Republic. If you choose to do business with this business, please let the business know that you contacted BBB for a BBB Business Profile.Īs a matter of policy, BBB does not endorse any product, service or business. BBB Business Profiles are subject to change at any time. When considering complaint information, please take into account the company's size and volume of transactions, and understand that the nature of complaints and a firm's responses to them are often more important than the number of complaints.īBB Business Profiles generally cover a three-year reporting period.
Calendar: Fixed issue where new event window showed timezone options by default, instead of basic options with All Day toggle.Remove the network check when switching to New Outlook. Allow certain types of users to revert to legacy Outlook.Fixed a search issue for Gmail accounts when ‘All Mailboxes’ search scope is selected.Fixed a crash that was caused when opening an event invite.Closed Captions for Audio in PowerPoint: Add closed captions to audio objects in PowerPoint to make your presentations more accessible.Time zone updates for an upcoming DST transition in Mexico.We are enabling this feature gradually, so it may not be available to you right away. Introducing Profiles – for a much-improved multi-account experience within Outlook.1.9 Add-in APIs: 1.9 Add-in APIs are now supported on New Outlook for Mac.Formula evaluation tooltips: Select a part of your formula and you'll see a tooltip showing the current value of just the part you've selected.Version 16.72 (Build 23040900) Feature updates Excel Search: added language check for search refiners.Fixed a crash occurring when you add an attendee to a new meeting from the scheduling assistant.Fixed a Calendar issue where two event compose windows are shown when opening room finder from the event compose popover.Fixed a Mail issue where users can reply even when their account storage is full.Version 16.72.1 (Build 23041401) Resolved issues Outlook Fixed an issue where photo was not displayed in the contact card.Fixed an issue where online archive search shows "No Results".Fixed an issue where events more than 1 year in the future don't appear on the calendar.Fixed a crash that occurred during the export of a VCF file. Version 16.72.2 (Build 23042300) Resolved issues Outlook Fixed a crash when setting calendar sharing permissions.Fixed a crash when adding or removing accounts with Profiles.Version 16.72.3 (Build 23043001) Resolved issues Outlook Fixed an authentication issue with IMAP and iCloud Accounts.Fixed a calendar issue where two event compose windows are shown when opening room finder from the event compose popover.Fixed an issue where events more than one year in the future don't appear on the calendar.
I would be very appreciative of any help I could be given regarding this issue. I read somewhere about changing the filter to "nearest neighbor" in the tool options of the move tool, but when I change the filter, it does not look like it affects that at all. I really wish I could find a way to remove all of the blurring, as it is very distracting and bothersome. Then, when I try to use the move tool, it does this: Here is the pixelated box I want to move: While it goes back to normal after I stop using the move tool, being blurry makes it very difficult to move such a small selection for me. However, when I click on the move tool, my entire selection becomes blurry. So I am trying to simply move a box made out of a few pixels. Krita art software is one of the many programs used by graphic designers. Or you can be a lazy bum like Redeth and simply sharpen the object that is going to be rotated before and after the rotating process takes place. Perhaps I am just unlucky, or have not gone to the right places or worded this strangely, but searching for it on Google has not seemed to give me the appropriate solution. Title:- Line Smoothing & Stabilization in Krita How to fix Jagged, Blurry lines. I suppose in some cases some programs can rotate images without blurring, but even with one that blurs, you can still do pretty clean rotations. layer but when I try to rotate it using a transform mask the texture gets blurred even. I have looked for solutions to this issue elsewhere, and have not managed to find the answer I am looking for. Krita - Free and open source digital painting application for. (*) At least in Gimp, you can try to use "Interpolation: None" (which is actually a "nearest neighbor") in tools that require interpolation.I am using Windows 10 and Krita version 4.4.8. If this is important to you then look for other software (try Krita). I don't know PS, but I suspect that when you rotate a layer, PS keeps a copy of the initial layer, so if you rotate it again, it computes the compound rotation and rotates the initial layer again, so your final layer is always the result of a single rotation, instead of being the result of an accumulation of rotations as in Gimp. Gimp doesn't do (yet) non-destructive editing like PS. The algorithms in Gimp are no worse than in other editors and you should normally use NoHalo/LoHalo. In the past you had to make a trade-off between interpolation quality and processing time, but on modern processors the best algorithms can be used all the time. And there are not that many algorithms for interpolation. So the value of this pixel in the result is interpolated using the pixels around its fractional position in the initial image(*).Īll image editors do this. When you rotate an image by an arbitrary angle, a position at integer coordinates is moved to a position at fractional coordinates, and like wise, the pixel at integer coordinates in the result doesn't correspond to a pixel at integer coordinates at the initial image iIn the initial image, its position would have fractional pixel values. r/FreeCAD FOSS Parametrical CAD/CAM /r/scribus Desktop Publishing Darktable FOSS tool for photographers r/gmic FOSS image processing framework /r/inkscape Vector-based graphic editor /r/blender 3D modeling, animation, & rendering /r/mypaint painting for digital painters /r/darktable/ photo editing software /r/krita digital painting application /r/synfig FOSS 2D Animation /r/FOSSPhotography Folks who use all the above /r/libredesign changing the paradigm Other Links of Interest Outreach through well written tutorials, presentation etc.Help test and triage bugs in the bugtracker.Alexander Prokoudine - /u/prokoudine ( LibreArts Founder) ( patreon) Ways to Assist GIMP.
Unexpected opportunities have since rolled in, like pairing with Ricky Martin on Recuerdo”for his recent Pausa EP. “I wanted to put more rhythm, more sassiness, in the music,” she says, adding that universal appeal was a goal. She’s welcomed her long-standing love of R&B and pop into the mix-styles she used to shut out for fear of alienating fans. What Morrison wants today is to be happy, and for her listeners to find happiness for themselves, too. An invite from Colombian reggaetonero J Balvin-gifting his 2018 album Vibras with an ethereal intro-was another important step toward more liberated exploration.īut it’s really the perspective earned in the space she cleared for herself-this concerted effort to reflect and heal-that’s emboldened her instincts. Collaborating over the years with other artists, from Lila Downs to Calexico and Macklemore and Ryan Lewis, Morrison has ventured out stylistically before, but she’s not strayed too far from those ever-looming expectations. Exploring the museums of Paris led to a study of Renaissance era paintings in Botticelli’s The Birth of Venus, she saw herself-finally accepting her innate beauty.īefore this journey, Morrison worried she couldn’t explore new sounds or styles. She learned French, took jazz singing classes, and learned to cook in a way that benefits her own body specifically. A wholly unfamiliar place would demand growth, right? Morrison went big on this hope-she relocated to Paris. In 2018, Morrison considered how a change of scenery might shift her outlook. An amalgam of industry rules, outsider opinions, and criticism from listeners, her own gut feelings-those internal nudges toward one direction or another, the inner validation that you’re doing the right thing-had been silenced altogether. Taking the outdoor stage at Coachella, filling to capacity Mexico City’s famed Auditorio Nacional, and sold-out US tours followed.īut there came a point when an inner voice of fear was all Morrison could hear. Snowballing from a Grammy nomination for her 2010 EP Mientras Tú Dormías, onto 2012’s Déjenme Llorar, and the 2016 release of Amor Supremo, her success grew rapidly. Being a highly sensitive person, it was just a lot. I would find myself thinking very often that I wanted to die. “For the longest time, I questioned the purpose of my existence, when I was in the middle of my success. Centering herself may have saved her life. These past few years, she’s analyzed who she’s been and who she wants to be, culling empowerment from both. Listen to Carla MorrisonĪcclaimed singer-songwriter Carla Morrison is returning to music brand new. Morrison has performed at Coachella, Mexico City’s famed Auditorio Nacional, and throughout the US, collaborating over the years with Lila Downs, Calexico, Macklemore and Ryan Lewis, Ricky Martin, J Balvin, and more. Watch the music video for “Todo Fue Por Amor” below.Raw retellings of emotional, personal heartbreaks are the bedrock of Tecate, Baja California-born singer-songwriter Carla Morrison’s material, and this honest approach has earned her multiple Grammy nominations and Latin Grammy wins over the course of five albums. During her life’s work, she helped more than 90,000 Hondurans, founded the non-profit organization Sociedad Amigos de los Niños (Friends of the Children Society) in 1966, and helped open more than 500 orphanages throughout Latin America, among many other accomplishments. Sister Maria Rosa Leggol ultimately passed away in 2020 due to COVID-19. She recently collaborated with Karol G on their joint track “Mañana Será Bonito.” The Mexican singer-songwriter will soon embark on her upcoming U.S. “Todo Fue Por Amor” is Carla’s first single following her last album El Renacimiento. It shares a powerful message of moving forward, despite life’s challenges and hardships. Morrison’s sentimental lyrics talk about embracing unconditional love inside and in others, encouraging listeners to look past the bad times in life. It features Morrison in beautiful green scenery, wearing a beige dress and crooning her emotional verses about finding the light and love within. La canción todo fue por amor de Carla Morrison □□ĭirected by Laura Castellanos, the touching music video starts by showing Sister Maria Rosa Leggol surrounded by children as she hugs them. Taken as a whole, the New International Dictionary of Old Testament Theology and Exegesis is an unparalleled accomplishment in the field of biblical hermeneutics. Finally, volume five contains a series of indexes: Hebrew Index, Scripture Index, Subject Index, and an index of Semantic Fields. Therein can be found articles on the theology of each Old Testament book individually, as well as discussion of biblical concepts, people, places, events, and literary pieces, all information that is cross-referenced to the preceding Hebraic Lexicon. Volume four also begins the Topical Dictionary. All this information is, of course, complete with bibliography. The relationship of each word in different contexts and languages is also explained, including alternative words, and the particulars of their semantic domain. Volumes one through four contain the Lexicon of the Old Testament, all words found in the text ordered by Hebrew alphabetization for easy reference, and coupled with a Goodrick / Kohlenberger cross-referencing number to be used in conjunction with Strong's numbering system. Volume one contains a Guide to Old Testament Theology and Exegesis in which ten essays have been compiled to thoroughly explain proper hermeneutics and interpretation, as well as guidelines for using this source material. This 5 volume addition to that acclaimed work, though intimidating in the achievement it embodies, is intended for serious Old Testament and exegetical study by men and women of all walks of life - both academics and pastors, students and laypersons. That singular collection worthy of comparison is its counterpart, the New International Dictionary of New Testament Theology, edited by Colin Brown. The new edition of this monumental reference work combines two volumes into one, now making it even easier to use.Only one hermeneutical text published prior to the New International Dictionary of Old Testament Theology and Exegesis can be held up reasonably to its measure of quality and the exhaustive nature of the research that produced this immense work. The new edition of this monumental reference work combines two volumes into one, now making it even easier to use. Virtually exhaustive bibliographies of published material relating to the words discussed are also included, as is a special section of Aramaic words used in the Old Testament. The articles focus on theological meanings of importance and do not include lengthy, technical, linguistic discussions. There are more than 1,400 articles written by 43 Old Testament scholars, plus some 400 sub-entries giving definitions only. The busy pastor or earnest Christian worker who has neither the time nor the background for detailed technical study, yet desires to understand important terms, will enjoy this practical resource. Keyed to Strong's Concordance, the Theological Wordbook of the Old Testament has been a longtime favorite of serious students of the Bible-pastors and laypeople alike. This extensive scholarly work includes discussions of every Hebrew word of theological significance in the Old Testament, plus brief definitions of all other words found in the Brown-Driver-Briggs (BDB) Hebrew Lexicon. For busy yet serious students of the Old Testament Having a place to store and manage your photographs makes it much easier to access them. 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